Weekend of Music and Beer

Somehow, the last three days became a whirlwind tour of music and beer. Today, starting with my oatmeal with almonds, I will get back to normal.

Friday night, I met three people from a company I work with through my job at the Devil's Canyon Brewing Company's monthly public events. Music was by Billy Manzik, featuring Billy on guitar, a guy on saxophone and a lady upright bass player (always a treat). It went well with the two beers I sampled--a light champagne style and the Kaleidoscope dark.

Afterwards, we went to a Louisiana style restaurant where a third beer, along with a pound of spicy shrimp, went down much too easily.

Saturday evening I went to hear the highly talented Stadler Gibbons Band, featuring Mike Stadler, Mary Gibbons, with ace pedal steel and dobro player Jon Mitguard and incredible bassist Chuck Irvin--who makes it look easy (it's not). They played at the Urban Island Concert Series, which takes place at the loading doc behind the Urban Island used furniture store. The evening began with a surprisingly entertaining duo, The Red Shoes, comprising two young ladies that appeared to be high school seniors playing fiddle with cello, occasionally switching up for ukelele. Their stage presence and apparent total lack of stage fright was charming--and they had the chops to keep it moving with just the two of them.

The next act, Emily Bonn and the Vivants, delivered a powerful shot of old-time dance tunes, honky-tonk country, and western swing. Emily writes a lot of her own material and her powerful voice invigorates the show. Accompanied by a tap-dancing violinist, a double-bassist with the longest mustache I've seen in some time, and a stirring accordionist, Emily's guitar playing and presence made this a group worth watching--and following.

Stadler Gibbons was the headliner, and they gave the kind of performance that has kept me following them around for the last year. Mike has the fine pipes of an old folkie, as does Mary, and the musicianship is extremely high level. As a bassist, I appreciate Chuck's versatility and style, and Jon's pedal steel is out of this world.

The beer this time had to happen afterwards, since the Urban Island provided a solitary Thai food truck (the roti was tasty, but no alcohol was available). We went to the Hobnob bar nearby for a couple glasses of Arrogant Bastard Ale. Yum.

Sunday I shifted gears and listened to fine chamber music performances by the Summer Quartet (strings) and the Hillside Quintet (winds) at my local library. All nine people are members of the Castro Valley Chamber Orchestra, of which I also am a member. Afterwards, some of the musicians went to a local Mexican restaurant for beer and, it turned out, some tasty food. (I had the golfos).

Now it, Monday, and time to get back to work!

Mike Stadler and Mary Gibbons Do It Again

You know you like a band when you seek them out and go see them again. That's what I did last night, when I heard Mike Stadler and Mary Gibbons play at the Frog and Fiddle in Alameda, California. Along with Chuck Ervin on upright bass and Jon Mitguard on pedal steel and dobro, they put out a smooth, clean, finely honed country western blend of bluegrass, folk and Texas swing that satisfies.

My friend Bruce and I got there just when it was starting out and heard a long first set from a table right in front. It was my first visit to the Frog and Fiddle, and I found it was a compact, friendly space with Guinness posters and guitars on the walls, a well-stocked bar on the right and intimate table seating in the rest of the place. I visited the surprisingly spacious (and pleasingly clean) restroom before I left and can tell that the place is well maintained.

I didn't write down the numerous tracks the band played, but Mike and Mary are both fine solo singers and a strong duet. Jon sang a few himself while working the beautiful pedal steel and occasionally, his dobro. Chuck kept up a strong pulse and even leaned in for four-part harmony on one number. Mike likes to switch between his acoustic and electric guitars and sometimes puts his mandolin on his broad shoulders for a more bluegrass-style song.

I was once again pleased to hear three songs by a favorite of mine--Hal Ketchum. Mike took the lead on two while Mary led on Past the Point of Rescue--one of Hal's most popular tunes.

Putting the talent up front is a nice draw to pull folks in from the street, but the club is also lining up regular music performances, so Alameda is becoming a real place to go for live entertainment.